Under the rule of Henry VII (r? Generously illustrated throughout, The Anglo-Florentine Renaissance traces the artistic links between Medicean Florence and Tudor England through essays by an international team of scholars, and explores how the language of Florentine art effectively expressed Tudor political aspirations and rose to... Italian sculpture, painting, and tapestries of the day reflected an interest in portraiture and dynastic monuments, epitomized in England by the royal tomb projects created by Baccio Bandinelli, Benedetto da Rovezzano, and Pietro Torrigiani. 1485-1509) England became a powerful nation. These were exemplified by Henry VIIIs palace of Nonsuch, so named because no other palace could match its magnificence. The Tudor court sought to express its worldliness and political weight through major artistic commissions, employing Florentine sculptors and painters to create lavish new interiors, suitable for entertaining foreign dignitaries, for its royal palaces.